Producer Agreement — Open
TOD-PROD-2017-0002 · Producer — Open · Meek Mill
Splits
Composition is two independent 100% pools — writer and publisher — which is why a fully registered work totals 200%.
| Pool | Party | Collects for | Share |
|---|---|---|---|
| Master | Street Symphony | 100.00% | |
| Publisher | Track Or Die Publishing | Street Symphony | 100.00% |
| Writer | Street Symphonyproduction | 100.00% |
Composition income share
What each writer actually receives. Writer and publisher pools are each half the money, so a self-published writer on 60% takes 60% — while a co-published writer on 40% whose own entity keeps half the publisher share takes 30%, not 40%.
- Street Symphonywriter 100.00% · publisher 0.00% · 50.00%
Deal terms
Money
- Advance
- $40,000.00
- Recoupable
- Yes
Royalty
- Producer points
- 4%
- Regime
- All-in (from artist royalty)
- Basis
- net receipts
Contract components
The clauses this agreement is assembled from. Chips mark where terms moved off our standard paper.
- NegotiatedProducer royalty
4% of PPD on net sales, escalating to 4.5% at 500k units; pro-rated on multi-producer tracks.
- StandardAdvance & recoupment
Advance recoupable from producer royalties only — no cross-collateralization against other tracks.
- StandardCredit
'Produced by' in liner notes and all DSP credit fields, wherever credits are customarily given.
- AmendedPublishing
Producer retains 100% of writer share; co-publishing on the composition expressly excluded.
- StandardMasters
Label owns the master outright; producer holds no reversion or approval over exploitation.
- StandardTermination & cure
30-day cure period on missed payments before either side can call a breach.